K. Marvin Bruce

It’s all about the money.  As any real writer knows, we write because we’re compelled to.  I suspect it’s only after someone tastes success that s/he gets cynical enough to write for money.  That doesn’t stop agents and publishers from trying, though. My Medusa novel was under contract with a publisher.  This was about five years ago.  After dallying around for a couple of years, the publisher cancelled the contract because the editor who’d signed it up had left the press.  That’s hardly a legitimate reason; in fact, it defeats the purpose of a book contract all together.  I’ve not been able to find another publisher since. Nearly every rejection letter says something along the lines of “It’s well written, but it’s not for us.”  They mean they don’t see enough dollar signs.  I’m not naive—I get it.  I would, however, appreciate just a little compensation for the hundreds and hundreds of hours I put into my writing.  S...

Writers are creatures of habit.  My own writing routine is to get up crazy early before I have to be at work and write the day awake.  I've been doing it that way for years.  Decades, even.  Then the time change comes. When you're young it's not such a big deal.  A few extra yawns at school on Monday and by Friday you're acclimated.  But time holds still for no one.  As an adult, it takes more time to adjust to changes in your schedule.  Suddenly what used to be 4 a.m. is now 5 a.m.  You have to get out of bed at what feels like 3:00.  The writer's schedule suffers. Daylight Saving Time was a contingency invented by the Germans during the world wars.  In order to maximize the usable light, they changed their clocks from standard time so that early morning light (my favorite) wouldn't be wasted.  Better to have later at night light.  Obviously, they weren't writers. So I get up in the morning, ready to write, but *yaw...

My latest publication, “Glass-Walled Cabin” has appeared on The WiFiles.   As is my custom, I devote a post to the story to share with readers what went into the writing process. The WiFiles publishes fiction with a paranormal bent.  That fits the horror genre particularly well since few people take sasquatch seriously.  To write a story like this, however, requires some first-hand experience.  At least in my case it does. Many years ago I went to visit a forest ranger fire spotter in a lonely observation tower in the northwest United States.  Most people are aware that the western part of this country suffers from perpetual drought, making the mountains, especially in summer, a potential tinderbox.  The fire spotter had to live in this glass-walled cabin for four months at a stretch.  Short visits were okay, but long-term guests would be a distraction. Climbing to the tower meant hiking to the top of one of the tallest peaks in the area....

I remember the days when computer files were saved on disc.  Diskettes, actually.  All my stories were carefully backed up in duplicate.  I felt secure. Technology progressed, as technology will.  The floppy disk gave way to higher capacity storage systems—I had a Jaz drive, once upon a time.  These cassettes, reminiscent of an 8-track, held an enormous amount of data.  But not enough. Computers came with CD drives then, but you couldn't save onto a CD—like the early PDFs.  Then they made CD writers common hardware with your computer.  I began saving everything on CDs.  Large tubes of them fill a forgotten desk drawer. Then came the terabyte drive.  Holding more storage capacity than a moon-launch computer, this little device, used weekly, safely holds my secrets.  Stories are secure at last.  My computer wants me to save them to the Cloud.  And pay for the privilege. So I dutifully backup my hard disc onto the ter...

I’ve often wondered if it’s accidental that fact and fiction share consonants.  Oh, the vowels are completely different, and fiction ends with that trickster consonant n, but don’t let that fool you.  Things aren’t always as clear cut as they say. In some languages, I’ve been told, the meaning of a word lies in its root.  My friend Steve once told me that Hebrew words have “triliteral roots.”  That is, words based on the same three consonants, in that order, are closely related.  You can make a noun into a verb by taking the root and changing the vowels.  Maybe something similar is going on with fact and fiction. Jorge Luis Borges, I have to confess, hasn’t appeared in my reading as much as he should.  Many of his story revolve around the indeterminacy of words.  They change, they shift, they mean something we didn’t mean for them to mean.  And he sometimes uses Hebrew as an example. I don’t read Hebrew—English is difficult enoug...

I’ve been a bad boy.  I haven’t been posting on my poor, neglected blog lately.  You see, like all truly creative types, I’ve been protesting. Call me simplistic, but I always thought America was about freedom.  I grew up writing fantastic (as in wild, unusual, not as in great) stories and nobody said anything I wrote was threatening.  I didn’t know any better—I was just a boy with a tablet and a pencil.  I wrote my imagination. Now we have a president who’s trying to slash the National Endowment for the Humanities.  There’s no profit in it, you see.  And this after having W say just a few years back that freedom isn’t free.  What?  You have to pay for freedom?  Forgive me, but I’ve always been a live and let live kind of guy. My horror isn’t gruesome.  It’s existential.  Maybe that’s why I have such a tough time getting published.  With nearly twenty stories in press I hope my writing’s not that bad.  I ...

One becomes inured.  That is to say, rejection letters are far more common than acceptances.  So it became clear to me while looking at my Submittable page recently.  The number of cheery blue acceptances is largely outweighed by those dreary gray “declined”s. Look, I’m an editor.  I know how this game works.  Every day I see the pitches the hopeful send, wanting to be represented by my press.  Every day I try to think how to write rejection letters that are complementary, comforting, encouraging.  The point is, I see bad writing. Some people see dead people.  Others of us see dead writing.  Books that should never have been born.  When you agonize over every word, and when you know that you’ve got some felicity with the pen (or on the keyboard) being classed with those who clearly don’t understand is painful. Awfully gloomy for a positive post, I must say!  I just received the good news that my story, “Glass-Wall...