I recently submitted my Medusa novel to a publisher I found because they approached me to review one of their books. Now, my nonfiction blog isn’t a big deal. With only a couple hundred regular readers I’m sure it didn’t lead to sales. The book, honestly, wasn’t that good. Still, the website was friendly and welcoming. As I filled in the proposal form I was honest, as it asked me to be. How many copies, it asked, do you think your book will sell? Be honest, it advised. I put a number, realistic, that my own publisher would’ve been satisfied with. Most books, truth be told, sell less than 1,000 copies. When they sent their rejection note a week later they said that I wasn’t well enough established as a fiction writer. In other words, I couldn’t bring in enough money. I’m not established enough? How are you ever going to get established if even a small publisher like that won’t give you a chance? Here’s the inherent dishonesty in the system. I’m not famous—I’m
Sometimes life’s too busy to be leading a double life. My fiction writing has once again been suffering because of nonfiction. Funny how that goes. I have my fifth nonfiction book coming out this summer and a sixth written in draft form. The real problem, however, is the nine-to-five job. As a professional, it’s expected that the eight-hour day be more like ten. And what with basic survival, and social time, writing both fiction and non can be a challenge. In a spate of optimism I submitted three or four stories back in the summer, with predictable results. I finally got brave enough to submit my Medusa novel again. This one has quite a history, starting with being under contract in 2012. I’ve had a few nibbles since the publisher pulled the plug after an editor left. Hey, as a professional I know that’s not a very professional thing to do! Publishers that don’t live up to their obligations, well, let’s just say they don’t thrive. Just recently, though, I saw that s