Skip to main content

The Problem with Backup

I remember the days when computer files were saved on disc.  Diskettes, actually.  All my stories were carefully backed up in duplicate.  I felt secure.

Technology progressed, as technology will.  The floppy disk gave way to higher capacity storage systems—I had a Jaz drive, once upon a time.  These cassettes, reminiscent of an 8-track, held an enormous amount of data.  But not enough.

Computers came with CD drives then, but you couldn't save onto a CD—like the early PDFs.  Then they made CD writers common hardware with your computer.  I began saving everything on CDs.  Large tubes of them fill a forgotten desk drawer.

Then came the terabyte drive.  Holding more storage capacity than a moon-launch computer, this little device, used weekly, safely holds my secrets.  Stories are secure at last.  My computer wants me to save them to the Cloud.  And pay for the privilege.

So I dutifully backup my hard disc onto the terabyte drive.  This morning old Terry died.  I think my files are still there, but what does one do when one's stories are in jeopardy?  I don't trust the Cloud.  Rain happens, my friends, and I don't want somebody else keeping my fiction.

Alas, it is time to seek out an expensive expert who will charge me to retrieve what is mine in the first place.  Puts a new spin on intellectual property, does it not?  These improvements are supposed to make life easier, but instead they mean storage spaces full of outdated media.

I think I'm going back to pen and paper.


Comments

Popular posts from this blog

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...

Maybe Okay

  A couple pieces of encouraging news, perhaps, dear struggling writers.   I had a couple short stories accepted for publication in recent weeks.   As a fellow writer recently said, “You've got to keep trying.  Somebody will like what you wrote.” That’s a bit of sunshine.   And it’s likely true.   But the stories:   “The Crossing,” about two men in a boat trying to cross the Atlantic, was accepted by JayHenge Publishing.   JayHenge is a small, but paying publisher.   I was flattered when they wanted it for their Masque & Maelström: The Reluctant Exhumation of Edgar Allan Poe anthology.   Being associated with Poe in any way feels good. The second story, “St. Spiders’ Day,” had been brewing in my mind for years—yes, this is a long game!   A friend pointed me to The Creepy podcast.   Since the story hadn’t been written, I followed their guidelines of what they wanted.   It worked. I recently heard a successful wri...