Skip to main content

Old Stories

The last time I moved, everything was in a rush.  I had been unemployed and my new job started just a month in the future and half a country away.  I slung things into boxes and unpacked, haphazardly, on weekends.  In the decade since then, life has been a blur.

Lately I’ve been trying to find things.  While sorting through a stack of paperwork, I came across a box of old stories.  Really old.  Some of these tales go back to when I first started to write fiction.  Most of them are embarrassing, but when I recall how young I was, they aren’t as embarrassing as all that.

One of the stories I remembered writing as a ninth or tenth grader.  My English teacher told me I should try to get it published.  I lived in a small town where no one had connections to the publishing world, and where nobody really knew how to get anything published.

Where you’re born does make a difference.



The story was in a pile of papers I found.  It seems to have born its age well, but some of the magic is knowing that the kid who wrote it was maybe fourteen or fifteen and had lived a very sheltered small town life.  Now, I know, the story would not be publishable.

Literary journals today want trendy, cool, and sophisticated writing.  They don’t value the sentiment of a story of a young boy in a rural setting just awakening to the possibility that there is more to life than he ever imagined.

Perhaps decades ago, when I wrote the story, some publisher somewhere might have considered it as a juvenile effort.  Being published back then might have changed my perspective on the difficulties of trying to find a voice in today’s literary world.


I’m still not trendy or cool.  Thoughtful, curious, and at times irreverent, yes.  But I am still that little boy, wondering what more might be out there.

Comments

Popular posts from this blog

Maybe Okay

  A couple pieces of encouraging news, perhaps, dear struggling writers.   I had a couple short stories accepted for publication in recent weeks.   As a fellow writer recently said, “You've got to keep trying.  Somebody will like what you wrote.” That’s a bit of sunshine.   And it’s likely true.   But the stories:   “The Crossing,” about two men in a boat trying to cross the Atlantic, was accepted by JayHenge Publishing.   JayHenge is a small, but paying publisher.   I was flattered when they wanted it for their Masque & Maelström: The Reluctant Exhumation of Edgar Allan Poe anthology.   Being associated with Poe in any way feels good. The second story, “St. Spiders’ Day,” had been brewing in my mind for years—yes, this is a long game!   A friend pointed me to The Creepy podcast.   Since the story hadn’t been written, I followed their guidelines of what they wanted.   It worked. I recently heard a successful wri...

Working Through It

  The thing about being a working writer is you don’t have time.   Between working nine-to-five and trying to eat and sleep, and write, of course, the week is shot.   Weekends are spent doing the errands that you can’t do during the week. I should probably have known better than to join a local writers’ group.   Their meetings, although only once a month, are all-day affairs on a Saturday.   I generally don’t have all day Saturday to spare.   I work all week and I need groceries and the occasional Target run.   And I haven’t yet learned to go a week without eating. This is actually the third writers’ group I’ve joined.   One was not too far from home, but not terribly helpful.   They met on Saturdays, but in the morning only.   Nobody seemed interested in what I was writing, so I stopped going. The second one was about an hour away.   They also met on Saturdays.   Their big thing was having lunch together after the meeting. ...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...