Skip to main content

O Driver, My Driver

Imitation, they say, is the sincerest form of flattery.  In the case of writing, literary nods are also forms of acknowledgment.  “O Driver, My Driver,” has just appeared at Exterminating Angel Press: The Magazine.  And it is a nod to Walt Whitman.

I realized that “O Captain, My Captain,” was a tribute to Abraham Lincoln.  I understand Lincoln to be, perhaps for the last time, a president who stood for the common man.  Few after Lincoln would rise from humble beginnings to the presidency.  Soon it would become the office of the rich and high born.

For many of us, life is work.  In my particular case, it is a life of commuting as well as working.  I sent this little story out to a few places that didn’t understand the pathos involved.  I make no fun of Lincoln; in fact, the drivers of my buses are in many ways literally and figuratively, my captain.

Climbing aboard a bus before dawn many months of the year, a passenger cannot help but feel indebted.  At least I can’t.  On the bus, however, I see other passengers verbally attack drivers.  This is sometimes a problem in a more physical way.  My transit company puts warning posters on buses stating that physical attacks on drivers will be prosecuted.  I’m on the side of the driver.

The small people, it seems to me, are those who seldom receive acknowledgement.  Abraham Lincoln knew that small people count.  His own drive to become president, in no small measure, reflected that.  We seldom find politicians who care about the rest of us any more.

Will any bus drivers read my little story?  Likely not.  Will any fellow commuters?  I doubt it.  Tributes are funny that way.  We write to honor someone, but the voice of the honoree is not expected to be among those nodding back to the writer.  Good writers, I hope, sometimes disappear in the the background.


“O Driver, My Driver,” is a true story, in one respect.  It offers a profound truth from the point of view of the passenger, the one who is out of control.  Too often, the point of view of the common person is forsaken for that of an action hero.


Comments

Popular posts from this blog

Pacing

A criticism that I’ve occasionally received concerns pacing.  The short story, which today means up to about 7000 words, is a limited amount of space to establish mood.  My writing partner Elizabeth was reading a Poe short story recently and commented on how long it seemed. We’ve been accustomed, by the internet, to shorten things.  Flash fiction is in.  Say it in 1000 words or less.  What’s the correct pacing for a 300-word story? I’ve been editing a number of my complete, but unpublished, stories lately.  I’m trying to bring the word counts down.  I don’t want to be thought of as a plodding writer.  At the same time, I’m no action writer.  My stories are thoughtful. Some time ago I started reading Anne Rice’s Interview with the Vampire .  Dark, moody, and sensuous, this is a slow-paced novel.  Focusing on subtleties and emotions, she paints a writerly picture of the inner life of the undead. If I were an editor to...

Creativity

  Maybe you’ve noticed this too.   When you step away from fiction writing for a while, your creativity becomes flaccid.   I’ve had to step away from this blog for a while because I was writing my sixth nonfiction book.   God, I’ve missed fiction! Now that I’ve entered that phase of waiting for publishers to respond, I’ve turned my limited writing time back to fiction.   I submitted a couple of stories this week and am waiting to hear about those as well.   When you’re a writer, waiting is a way of life. Opening my software where I store my fiction stories, I was amazed by how many I found.   Some of them are bad—so bad that they’ll never (rightfully) be published.   Some are surprisingly good and have been sitting around while I finished up my nonfic. The vast majority, however, are unfinished.   Some years back I realized that when I’m writing in the heat of inspiration but don’t have time to finish a story that I need to write down where I...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...