Skip to main content

Writers' Fare

A friend recently traveled to Oxford, England.  On his blog he mentioned that J. R. R. Tolkien and C. S. Lewis used to meet in a pub there.  They actually met with a group of writers who encouraged one another in their craft.  Tolkien and Lewis were only the most successful.

Curious, I started looking Oxford up on the web.  Every March they host a Writers’ Festival.  No wonder, because in addition to the two mentioned above, Oxford has been able to claim some of the most famous English writers in the world.

Oscar Wilde was an Oxford student, and Lewis Carroll, of Alice in Wonderland fame, was also a resident.  Thomas Hardy lived in Oxford for a time, and Philip Pullman still does. Certainly there seems to be a connection between the educational atmosphere and the arts.

A writer, of course, requires no educational credentials.  Writers are writers.  Still university towns house that increasingly rare commodity—bookstores.  When you're in the mood for a book, sometimes even waiting the next day for Amazon is too long.

The book-buying demographic is not large.  Once I read an analysis that suggested that only five percent of the population regularly buys books.  Many of those who do live in areas where such cultures thrive.  University folk tend to be a bookish lot.

Although I’ve taught at universities now and again, it hasn’t been in the literature department.  I’ve never taken a formal writing course.  I write because I’m a writer.

Reading is my cure when the writing won’t come.  I can imagine being in Oxford, strolling the ground where great minds claimed their inspiration.  Where the atmosphere lends itself to imagination and values intense thought.  Where there are bookstores to sell your works locally.

Ironically, Oxford also lays claim to much of Harry Potter.  There are Hogwarts candidates among the gothic spires of the university, but J. K. Rowling was pretty clear that Hogwarts was in Scotland.  


Wandering the streets there, I suspect, would also inspire the most blocked writer, as there’s a bit of magic in what we do.


Comments

Popular posts from this blog

Working Through It

  The thing about being a working writer is you don’t have time.   Between working nine-to-five and trying to eat and sleep, and write, of course, the week is shot.   Weekends are spent doing the errands that you can’t do during the week. I should probably have known better than to join a local writers’ group.   Their meetings, although only once a month, are all-day affairs on a Saturday.   I generally don’t have all day Saturday to spare.   I work all week and I need groceries and the occasional Target run.   And I haven’t yet learned to go a week without eating. This is actually the third writers’ group I’ve joined.   One was not too far from home, but not terribly helpful.   They met on Saturdays, but in the morning only.   Nobody seemed interested in what I was writing, so I stopped going. The second one was about an hour away.   They also met on Saturdays.   Their big thing was having lunch together after the meeting. ...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...