Skip to main content

A True Original

As I sit here lingering on the edge of self-publishing, I decided to read an improbable novel recommended to me by my friend Steve.  Robert Repino’s Mort(e) is an apocalyptic tale about a cat whose single-minded purpose leads to a poignant conclusion.  I won’t spoil it for you; I’m a professional.

I’m always encouraged to see madcap novels published.  The Medusa novel I have out with about six publishers at the moment is bat-shit funny.  It is also intelligent, and maybe that’s my problem.

I know editors, and they are fallible people.  They have sins just like the rest of us.  Their deadly sin, it seems, is not being able to see the potential in a story that’s clearly got it.  Repino, according to Steve, had a tough time finding a publisher for what is clearly a brilliant novel.  His story gives me hope.

It might just be easiest to give up, but when I think this I realize that publishers are starved for good content.  To get to any major publisher, however, you need an agent.  To find an agent you need someone who thinks like you. For a writer that can be a bit of a problem.

Creativity often draws its inspiration from others.  Repino cites George Orwell’s Animal Farm.  Apart from the Bible and Aesop’s Fables, Animal Farm is probably the most famous talking animal book for adults.

Inspiration, however, sometimes comes to you naked.  Something completely new.  Never been done before.  Publishers tremble.  This is something untested, uncertain, risky.  It might not bring in money.

Every publisher takes some hits now and again, taking a chance on something that doesn’t sell.  I understand that.  To get noticed you either have to get lucky or get to be friends with someone who got lucky.  All you need is luck.


Unlike Mort(e), who makes his own future.  And what a future it is.  It’s a great read.  And unlike much that passes under my eyes, it is truly original.


Comments

Popular posts from this blog

Pacing

A criticism that I’ve occasionally received concerns pacing.  The short story, which today means up to about 7000 words, is a limited amount of space to establish mood.  My writing partner Elizabeth was reading a Poe short story recently and commented on how long it seemed. We’ve been accustomed, by the internet, to shorten things.  Flash fiction is in.  Say it in 1000 words or less.  What’s the correct pacing for a 300-word story? I’ve been editing a number of my complete, but unpublished, stories lately.  I’m trying to bring the word counts down.  I don’t want to be thought of as a plodding writer.  At the same time, I’m no action writer.  My stories are thoughtful. Some time ago I started reading Anne Rice’s Interview with the Vampire .  Dark, moody, and sensuous, this is a slow-paced novel.  Focusing on subtleties and emotions, she paints a writerly picture of the inner life of the undead. If I were an editor to...

Creativity

  Maybe you’ve noticed this too.   When you step away from fiction writing for a while, your creativity becomes flaccid.   I’ve had to step away from this blog for a while because I was writing my sixth nonfiction book.   God, I’ve missed fiction! Now that I’ve entered that phase of waiting for publishers to respond, I’ve turned my limited writing time back to fiction.   I submitted a couple of stories this week and am waiting to hear about those as well.   When you’re a writer, waiting is a way of life. Opening my software where I store my fiction stories, I was amazed by how many I found.   Some of them are bad—so bad that they’ll never (rightfully) be published.   Some are surprisingly good and have been sitting around while I finished up my nonfic. The vast majority, however, are unfinished.   Some years back I realized that when I’m writing in the heat of inspiration but don’t have time to finish a story that I need to write down where I...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...