Skip to main content

The Equation

An equation, by definition, has two sides.  Each side ultimately balances the other.  Being a writer is not an equation.  Being a published writer is.

I recently had lunch with a friend who is a published author; I’ll feature his book in a post shortly.  As we talked about the long process it took to get his book into print, it dawned on me that I may be a writer, but I still need to play the publishers’ game.

As writers we write what we want to express.  We are literate, intelligent, and full of emotion that finds satisfaction only in the written word.  Publishers represent the other side of the equation if we want to become published writers.

Publishing is a business while writing is a creative enterprise.  As a writer it is easy to think that we don’t need to please anyone.  Our thoughts are our motivations and our souls are laid bare on paper.  Anyone should want to buy such valuable material.



The publisher has to guess how many books might sell.  “What is your book like?” my friend asked.  “Who do you write like?”

My answer, perhaps unfortunately, is that I don’t know anyone who writes like I do.  Ray Bradbury used to.  Rod Serling used to.  H. P. Lovecraft used to.  Edgar Allan Poe used to.  Not that I claim to be as accomplished as these masters, but they were my inspiration to write the weird tale.  The tale that no one buys anymore.

The Twilight Zone is considered by many to have been one of the most literate primetime television series ever.  Each episode was based on a weird tale, many of them Serling’s, and audiences in the 60’s loved them.

We don’t read so much today.  Tales longer than 2000 words are too long because who’s got the time to read so much?  My friend Steve, who works in publishing, says he has barely enough time to read what lands in his inbox.  And that’s just non-fiction.


I guess that if I want to be a published writer I’d better start paying attention to the math.  And write what everyone wants to read.  Vampire romance, anyone?

Comments

Popular posts from this blog

Dusty

  My, this thing is dusty.   My fans—hi, Mom!—perhaps believe me to have perished in the pandemic.   No, it was nonfiction’s fault. Since the pandemic began I’ve had two nonfiction books published and have written a third.   With a nine-to-five job something’s got to give.   Unfortunately it’s been fiction. Well, the groundhog didn’t see his shadow yesterday, so it must be safe to come out.   I shuffled away the rejection notes and began submitting again.   I’ve got a backlog of weird stories and maybe some new publishers have emerged? The thing is, don’t you just hate it when you’re in the mood to submit and some lit journal has its window for submissions firmly shut?   My last story, “ The Hput, ” was published about three years ago.   Oh, I’ve submitted since then, but with no traction.   Well, it is winter. I’ve got a lot of stories lined up.   I’ve been sending them out again, dreaming of making a dime at what I love doing best...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...