Skip to main content

Group Writing

Do writing groups really help?  I believe they can.  Indeed, they must.  At work someone has started up a creative writing group.  I went to a meeting.  I felt old.

Like dirty old man old.  I mean, shouldn’t somebody my age already know about publishing?  Shouldn’t I put up or shut up?  What was a guy old enough to be the father of everyone in the room to say?

I’ve been part of writers’ groups before.  I joined the Liberty State Writers Group once upon a time.  I felt lost.  There were so many of them, and they all knew each other.  I’m shy, like a writer, and soon felt lost.  I stopped going before my dues ran out.

I still remember one girl there.  I never knew her name.  She shyly smiled at me and said “hi” a time or two.  I bet she wrote the kinds of thing I do.  I’ll never know.



More recently a joined a mostly male writerly group.  Males tend to be more aggressive, self-interested.  I attended a couple of times.  They all knew each other.  Only one person said “hi” and he wasn’t nearly as cute as she was.

So I’m a bit skeptical of this work group.  Do I want those in the office to know who I really am?  Does my fiction say more about me than my résumé?  Can I trust them with such information?

It helps, I’m sure to have those who won’t cause you harm in your circle of writer friends.  These are all younger people than me who haven’t had time to explore all the darkened corners in their minds that I have.  Sometimes what I find there frightens even me.

Groups have connections, however.  They can lead to places that just one lonely author may never find. 

They want to critique.  I wilt under criticism at the best of times.  I’m learning to cope.  Still, it’s easier when strangers do it.  Random acts of insult are somehow easier to bear.


The writers’ group has found me at work.  Dare I attend another meeting?

Comments

Popular posts from this blog

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...

Maybe Okay

  A couple pieces of encouraging news, perhaps, dear struggling writers.   I had a couple short stories accepted for publication in recent weeks.   As a fellow writer recently said, “You've got to keep trying.  Somebody will like what you wrote.” That’s a bit of sunshine.   And it’s likely true.   But the stories:   “The Crossing,” about two men in a boat trying to cross the Atlantic, was accepted by JayHenge Publishing.   JayHenge is a small, but paying publisher.   I was flattered when they wanted it for their Masque & Maelström: The Reluctant Exhumation of Edgar Allan Poe anthology.   Being associated with Poe in any way feels good. The second story, “St. Spiders’ Day,” had been brewing in my mind for years—yes, this is a long game!   A friend pointed me to The Creepy podcast.   Since the story hadn’t been written, I followed their guidelines of what they wanted.   It worked. I recently heard a successful wri...