Skip to main content

The First Time

I have a confession to make, and it may be shocking coming from a writer.  I’ve never used drugs.  I had a brother who did and some of what happened scared the shit out of me.  That, and my father was a professional alcoholic.

“The First Time,” recently published on Dali’s LoveChild, is based on a couple of reflections.  A while back a friend invited me to try hallucinogenic mushrooms, as a spiritual experience.  I politely refused, but wondered what would have happened if I had.

You see, growing up in an alcoholic family, you never know what is normal.  I thought the kinds of things involving guns and beer were typical.  You mean you don’t do this at your house?  I went to a bar for the first time before I was five.

But my concern is deeper.  I don’t know what reality is.  If I tried shrooms, would I become trapped in an alternate reality?  What if they never wore off?  Sometimes I’m just not very brave.



As with all of my writing, there is a metaphor at work here as well.  It revolves around the friend who lays dying.  Perceptions of reality can change in any number of ways.  Some involving ingestion, other involving the opposite.

Dali’s LoveChild is a website for dreams and nightmares.  I have my fair share of both.  In many respects waking reality is already a nightmare.  Shrooms might help, but with my family’s track record with controlled substances, I can’t get much beyond a beer.

The story is, of course, fiction.  But fiction participates in reality just as much as fact does.  Can we decide what we will experience as reality?  Can we sustain the illusion?


My friend swears shrooms are natural and benign.  Non-addictive.  But is reality non-addictive?  How can you want something too much and then be weary of it?  I don’t have the answers; that’s why I write.

Comments

Popular posts from this blog

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...

Maybe Okay

  A couple pieces of encouraging news, perhaps, dear struggling writers.   I had a couple short stories accepted for publication in recent weeks.   As a fellow writer recently said, “You've got to keep trying.  Somebody will like what you wrote.” That’s a bit of sunshine.   And it’s likely true.   But the stories:   “The Crossing,” about two men in a boat trying to cross the Atlantic, was accepted by JayHenge Publishing.   JayHenge is a small, but paying publisher.   I was flattered when they wanted it for their Masque & Maelström: The Reluctant Exhumation of Edgar Allan Poe anthology.   Being associated with Poe in any way feels good. The second story, “St. Spiders’ Day,” had been brewing in my mind for years—yes, this is a long game!   A friend pointed me to The Creepy podcast.   Since the story hadn’t been written, I followed their guidelines of what they wanted.   It worked. I recently heard a successful wri...