Skip to main content

Forbidden Topics

Writers explore the depths of humanity’s experience.  At the same time, there are topics that we aren’t allowed to plumb.

Let me back up a bit.  When I started to teach myself about which literary magazines would accept what kinds of stories, I spent a lot of time reading the do’s and don’t’s of the editors.  Some won’t allow men to write with a woman’s voice or vice versa.  Others disallow sex scenes and some forbid topics without which Nabokov could never have written Lolita.  Write short, still others say, anything over 1000 words is too long.

Being a compliant sort, I tried for a while to avoid those things that would get me into trouble.  When someone is established, however, I’ve noticed, they can break all the rules and get rich.  So why are topics forbidden?

I know editors.  A good friend is one.  And editors are people with tastes and prejudices just like the rest of us.  The problem is, there are a limited number of places that like the kind of thing I write, and the internet has spawned millions of writers who submit material.  I am just one spermatozoon among the whole ejaculate.  I don’t often reach the ovum first.  Therefore I comply.

Successful writers, once upon a time, got their start in places like Playboy.  I’ve written material, maybe a little too intellectual for the liking of their average readers, exploring the angst of being a sexual creature.  Nobody wants to complicate that.

Perhaps it’s too personal.  Perhaps nobody wants to face the monster that dwells inside.  

I recently read a story by an established writer that contained a rape scene that made me squirm for an entire page.  I don’t like such topics, and I wasn’t expecting it in this particular story.  Yet this was in a printed book by a major trade publisher.  Forbidden topic.

Is it too naive to want to write for the good of humanity?  To impress excellence, if at a cost?  Most of my characters are victims.  They have tried and failed.  Their dreams experience vivisection and scream aloud.  Failure is a forbidden topic.


Bright, cheerful, optimistic.  Stories with loud, clashing noises and bright colors but minimal descriptions.  And don’t try a funny novel—nobody wants to read such things. Play by the rules and get wealthy.  Or be authentic.  The choice is yours.


Comments

Popular posts from this blog

Pacing

A criticism that I’ve occasionally received concerns pacing.  The short story, which today means up to about 7000 words, is a limited amount of space to establish mood.  My writing partner Elizabeth was reading a Poe short story recently and commented on how long it seemed. We’ve been accustomed, by the internet, to shorten things.  Flash fiction is in.  Say it in 1000 words or less.  What’s the correct pacing for a 300-word story? I’ve been editing a number of my complete, but unpublished, stories lately.  I’m trying to bring the word counts down.  I don’t want to be thought of as a plodding writer.  At the same time, I’m no action writer.  My stories are thoughtful. Some time ago I started reading Anne Rice’s Interview with the Vampire .  Dark, moody, and sensuous, this is a slow-paced novel.  Focusing on subtleties and emotions, she paints a writerly picture of the inner life of the undead. If I were an editor to...

Creativity

  Maybe you’ve noticed this too.   When you step away from fiction writing for a while, your creativity becomes flaccid.   I’ve had to step away from this blog for a while because I was writing my sixth nonfiction book.   God, I’ve missed fiction! Now that I’ve entered that phase of waiting for publishers to respond, I’ve turned my limited writing time back to fiction.   I submitted a couple of stories this week and am waiting to hear about those as well.   When you’re a writer, waiting is a way of life. Opening my software where I store my fiction stories, I was amazed by how many I found.   Some of them are bad—so bad that they’ll never (rightfully) be published.   Some are surprisingly good and have been sitting around while I finished up my nonfic. The vast majority, however, are unfinished.   Some years back I realized that when I’m writing in the heat of inspiration but don’t have time to finish a story that I need to write down where I...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...