I recently submitted my Medusa novel to a publisher I found because they approached me to review one of their books. Now, my nonfiction blog isn’t a big deal. With only a couple hundred regular readers I’m sure it didn’t lead to sales. The book, honestly, wasn’t that good.
Still, the website was friendly and welcoming. As I filled in the proposal form I was honest, as it asked me to be. How many copies, it asked, do you think your book will sell? Be honest, it advised. I put a number, realistic, that my own publisher would’ve been satisfied with. Most books, truth be told, sell less than 1,000 copies.
When they sent their rejection note a week later they said that I wasn’t well enough established as a fiction writer. In other words, I couldn’t bring in enough money. I’m not established enough? How are you ever going to get established if even a small publisher like that won’t give you a chance?
Here’s the inherent dishonesty in the system. I’m not famous—I’m honest about that. I, however, work hard for my publications. I set up websites, I do interviews, and, I’m told, I write well. If you only accept established authors, for God’s sake say so!
I’ve worked in publishing for going on twenty years now. I’ve been writing for nearly half a century. For those who get my work, they note that it’s intelligent and often fun. Would people pay to read it? I may never know.
Looking back, I wonder if it was wise to submit my novel to a publisher that produced the kind of book (for an author with no platform, I must add) they sent to me. All I really lost was a week of hope that some publisher, honestly, would understand what it means to be a creative.
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