Skip to main content

Serialize

  So, as I’m bound down by nonfiction—one down, two to go—I’m still working on fiction.  My current project, beyond about a dozen stories ready to submit, is converting one of my published stories into a novel.


I’m a self-taught writer.  I’ve never taken a composition class.  I don’t know the conventions of plotting out a story other than by having read many, many books.  I also know that many classic writers of the western canon weren’t trained writers either.  Our society seems to think you have to have a degree to be able to do anything.


While I don’t doubt that degrees help, what is missing is the awareness that sometimes writing skill is a gift.


Gifts benefit from development, sure.  Today, however, if you majored in something else and you never prospered enough to afford to get that MFA, you’ll find the establishment a struggle.  All of which is to say, I hope I’m doing this right.


I’ve written seven novels so far.  A famous writer I know never took a writing course and he tells me that’s how he does it.  He just writes.  His early novels got attention and he shifted to what he does now after that.  He found an agent and the rest is history.





I began writing fiction in about fourth or fifth grade.  I suppose that means I’ve been doing this nearly half a century.  Other things have intervened—jobs, mostly—but you’ve got to wonder if any of that counts.


So I’m trying to plot out my eighth novel.  I watch a few videos and talk to a few friends about how to do it, but it seems to me that the way is to just keep writing.  The story ideas come to me as I do that.  Is that the wrong way to do it?  I wouldn’t know.


Many of the writers I admire were self-taught.  They started, however, before publishing became big business.  Now breaking in without a degree is, well, largely fiction.

Comments

Popular posts from this blog

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...

Maybe Okay

  A couple pieces of encouraging news, perhaps, dear struggling writers.   I had a couple short stories accepted for publication in recent weeks.   As a fellow writer recently said, “You've got to keep trying.  Somebody will like what you wrote.” That’s a bit of sunshine.   And it’s likely true.   But the stories:   “The Crossing,” about two men in a boat trying to cross the Atlantic, was accepted by JayHenge Publishing.   JayHenge is a small, but paying publisher.   I was flattered when they wanted it for their Masque & Maelström: The Reluctant Exhumation of Edgar Allan Poe anthology.   Being associated with Poe in any way feels good. The second story, “St. Spiders’ Day,” had been brewing in my mind for years—yes, this is a long game!   A friend pointed me to The Creepy podcast.   Since the story hadn’t been written, I followed their guidelines of what they wanted.   It worked. I recently heard a successful wri...