Skip to main content

Courting Agency


So I finally got an agent to talk to me.  That doesn’t mean he’ll represent me, but he knows, at least a little of, who I am.  This didn’t come about through a web search and cold call.  He agreed to talk to me because we have a mutual friend.

This friend I have never met.  He contacted me after reading a blog post.  We subsequently talked by phone.  He emails me often.  He’s a real booster.  Turns out he’s a writer too.  Those of us who write need one another.

My friend doesn’t know my pseudonym.  In fact, most friends to whom I’ve revealed it have forgotten.  They grow weary of waiting until I break through.  Until they can say “I knew him when.”  Of what does breaking through consist?



Twenty of my short stories have been published.  My fiction has been nominated for the Pushcart Prize, the Write Well Award (Silver Pen Writers Association), and the Best of the Web Award.  I won the Danse Macabre 2009 prix d’écriture de Noël in Fiction, and third place in Calliope’s 20th Annual Fiction Contest (2014).  Where’s the confetti?  Where’s the champaign?

For any of that you need an agent for the Lowells speak only to the Cabots, and the Cabots speak only to God, so I’ve been told.  (Not by a Lowell or Cabot, for they do not speak to the un-agented.)  

Over the years I’ve sent many agent queries, for both fiction and non.  To get attention you have to have already made some serious money by your writing.  Or maybe, as in my case, you have a friend who’s willing to share.

You see, my Medusa novel, for sentimental reasons, has to be the first one published.  Will it make money?  Yes, I think so.  Even if it doesn’t it is the labor of my earlier life.  All authors, even Steven King, have a backstory of rejection.  Editors can be a thick-headed lot.

I’m dithering now whether to send said friendly agent my novel.  He said I should.  There’s got to be a word for this: getting so far that you hesitate to go further because the next step could be a break-through, or it could put you back at Go without collecting your $200.  If only I had an agent to handle the money part...

Comments

Popular posts from this blog

Working Through It

  The thing about being a working writer is you don’t have time.   Between working nine-to-five and trying to eat and sleep, and write, of course, the week is shot.   Weekends are spent doing the errands that you can’t do during the week. I should probably have known better than to join a local writers’ group.   Their meetings, although only once a month, are all-day affairs on a Saturday.   I generally don’t have all day Saturday to spare.   I work all week and I need groceries and the occasional Target run.   And I haven’t yet learned to go a week without eating. This is actually the third writers’ group I’ve joined.   One was not too far from home, but not terribly helpful.   They met on Saturdays, but in the morning only.   Nobody seemed interested in what I was writing, so I stopped going. The second one was about an hour away.   They also met on Saturdays.   Their big thing was having lunch together after the meeting. ...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...