Dead but Dreaming

One of the most challenging aspects of being a working writer is dithering. Shilly-shallying. Not being able to decide. Is this story done yet? Should I revise it for a tenth time? When do I stop writing fiction and get back to non-fiction? And all of this has to be decided for a mere half-hour of writing time a day.

I’ve neglected this blog a little because I’ve been finishing up a non-fiction book. To no one’s greater surprise than mine, an editor at Penguin is actually reading it. You just never know. Meanwhile novel number seven has been demanding my attention. One through six haven’t been published yet either.

Don’t forget the children. Stories. Lots of stories. Some days three or four story ideas crowd into my head at a time. And I only have half-an-hour to write. Decisions, decisions!

I’d pretty much decided to turn back to non-fiction for a while when I had an unexpected email. A publisher actually wants to see the whole manuscript of my Medusa novel, Interview with the Gorgon. For those who haven’t read my past posts, this novel was under contract with a publisher about six years ago. Then they dithered.

The editor who’d accepted it for publication left the press. They decided they didn’t want to do it. No kill fee. No thank you. Just “my name is no.” Funny thing about it is, since then many presses—after I went out and bought their books just so I could make comparisons—also said “not for us.” Getting this email was completely unexpected.

I used to be a professor at Breck University. Now I profess nothing. I work for a faceless corporation in New York City that publishes non-fiction books. Getting to and from work takes three hours a day. Sleep takes a few, too. Writing is the orphan child of my time.

I’ve never given up on Medusa. I’ve never given up on this blog. To read me is to love me. Even if your name is no. If only I could make up my mind.

Comments

Pacing

A criticism that I’ve occasionally received concerns pacing. The short story, which today means up to about 7000 words, is a limited amount of space to establish mood. My writing partner Elizabeth was reading a Poe short story recently and commented on how long it seemed. We’ve been accustomed, by the internet, to shorten things. Flash fiction is in. Say it in 1000 words or less. What’s the correct pacing for a 300-word story? I’ve been editing a number of my complete, but unpublished, stories lately. I’m trying to bring the word counts down. I don’t want to be thought of as a plodding writer. At the same time, I’m no action writer. My stories are thoughtful. Some time ago I started reading Anne Rice’s Interview with the Vampire . Dark, moody, and sensuous, this is a slow-paced novel. Focusing on subtleties and emotions, she paints a writerly picture of the inner life of the undead. If I were an editor to...

Creativity

Maybe you’ve noticed this too. When you step away from fiction writing for a while, your creativity becomes flaccid. I’ve had to step away from this blog for a while because I was writing my sixth nonfiction book. God, I’ve missed fiction! Now that I’ve entered that phase of waiting for publishers to respond, I’ve turned my limited writing time back to fiction. I submitted a couple of stories this week and am waiting to hear about those as well. When you’re a writer, waiting is a way of life. Opening my software where I store my fiction stories, I was amazed by how many I found. Some of them are bad—so bad that they’ll never (rightfully) be published. Some are surprisingly good and have been sitting around while I finished up my nonfic. The vast majority, however, are unfinished. Some years back I realized that when I’m writing in the heat of inspiration but don’t have time to finish a story that I need to write down where I...

Patterns

There’s a pattern I’m noticing. For fiction publishers. Even if you aim low you’ll find it a struggle. Part of the reason is the pattern. Lots of websites list publishers. The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in. That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested. I’ve queried well over a hundred, so the agent route is one of diminishing returns. This too is a pattern. Back to the smaller presses. I check many lists. What I write, you see, is highly idiosyncratic. It’s literary but it’s weird. Publishers don’t know what to do with it. If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered. Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...

K. Marvin Bruce

Search This Blog