Skip to main content

Scares Me

What makes a story scary?  I suspect that the answer depends on the asker.  You see, I think of my stories as scary.  Whether other people do, I don’t know.

When I look for a scary story I’m not looking for gore.  Properly speaking, I’m not looking for fear either.  Mood, creepiness, and the strange are far more appealing.  Frisson at the atmosphere.  Poe, I suspect, isn’t too scary these days.  He knew how to set a mood, though.

I recently read Shirley Jackson’s “The Lottery.”  I’ve heard a lot about this story and since it is still under copyright I had to find a book that contained it.  It wasn’t as scary as I thought it would be.

Don’t take me wrong—I am a fan of Shirley Jackson.  She was able to deliver as The Haunting of Hill House and We Have Always Lived in the Castle show.  “The Lottery,” however, didn’t scare me.  It was interesting, a nice short story, but not fearful.

I find my hackles rising when a story intimates a young person is in danger.  Particularly a young girl.  Having been a young boy myself, I suppose I feel deep down that boys give and get.  I don’t want to see young boys harmed, but, at some level maybe I think they have it coming.  Girls are the ultimate innocents.

The monster tale is what still makes me smile.  Maybe because I know they aren’t real.  They can’t get me.  Or the little boys, or little girls.  In the story, however, I pretend that they might.



Strangely enough, my own stories tend to reveal the source of fear to be myself.  I am the one the reader should be afraid of.  Perhaps it’s because as a writer I am the one drawing the reader into my nightmare.  My nightmare, my rules.


It may be that other people don’t find my stories scary.  I have to believe that out there under this same baleful sky there are others who share my sensibilities.  It would serve me right if those who did were already dead.

Comments

Popular posts from this blog

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...

Maybe Okay

  A couple pieces of encouraging news, perhaps, dear struggling writers.   I had a couple short stories accepted for publication in recent weeks.   As a fellow writer recently said, “You've got to keep trying.  Somebody will like what you wrote.” That’s a bit of sunshine.   And it’s likely true.   But the stories:   “The Crossing,” about two men in a boat trying to cross the Atlantic, was accepted by JayHenge Publishing.   JayHenge is a small, but paying publisher.   I was flattered when they wanted it for their Masque & Maelström: The Reluctant Exhumation of Edgar Allan Poe anthology.   Being associated with Poe in any way feels good. The second story, “St. Spiders’ Day,” had been brewing in my mind for years—yes, this is a long game!   A friend pointed me to The Creepy podcast.   Since the story hadn’t been written, I followed their guidelines of what they wanted.   It worked. I recently heard a successful wri...