Skip to main content

Two Types

There are two types of writing, or maybe three.  The two I’m referring to are the writing that I plan out and the writing that comes to me.  The latter is the best.  The possible third is a combination of the two.

I sometimes think I should enroll in a Master of Fine Arts (MFA) program.  I have friends who’ve done it and they seem to have less trouble finding a publisher.  After all, credentials mean something.  I don’t have thousands of dollars to spare at the moment, so I’m trying to figure out what I can teach myself.

An MFA program is one where you pay to write.  You meet other writers and maybe study with someone renowned.  They tell you, I imagine, how to craft stories.  Plan out writing.  Type number one.

No doubt this works for some.  I had a writer I barely know call me out of the blue.  He’d studied with Harold Bloom and knew Jane Smiley as a student.  They were in a writing program together.  Bloom has always been famous, but Smiley broke out with Moo.

I took a walk through the Sourlands.  The Sourlands always remind me of Joyce Carol Oates.  My companion on the walk said that Oates was at the Iowa Writers' Workshop before moving to New Jersey.  She’s now famous, of course.

For me, though, the writing that comes to me is best.  Whether I’m in the shower, walking through the city, driving a car, or riding on a bus, snatches come to me.  Usually when I can’t write them down, but oooh they’re good!  The best ideas.

The story writes itself as I fret, sometimes fumbling for a pen—most of the time when I can stop to scribble.  Entire stories work themselves out in my head.  By the time I get to where I can write, often they’re gone.  Those moments I had alone with them, however, were wonderful.


Perhaps I should take a writing program after all.


Comments

Popular posts from this blog

Pacing

A criticism that I’ve occasionally received concerns pacing.  The short story, which today means up to about 7000 words, is a limited amount of space to establish mood.  My writing partner Elizabeth was reading a Poe short story recently and commented on how long it seemed. We’ve been accustomed, by the internet, to shorten things.  Flash fiction is in.  Say it in 1000 words or less.  What’s the correct pacing for a 300-word story? I’ve been editing a number of my complete, but unpublished, stories lately.  I’m trying to bring the word counts down.  I don’t want to be thought of as a plodding writer.  At the same time, I’m no action writer.  My stories are thoughtful. Some time ago I started reading Anne Rice’s Interview with the Vampire .  Dark, moody, and sensuous, this is a slow-paced novel.  Focusing on subtleties and emotions, she paints a writerly picture of the inner life of the undead. If I were an editor to...

Creativity

  Maybe you’ve noticed this too.   When you step away from fiction writing for a while, your creativity becomes flaccid.   I’ve had to step away from this blog for a while because I was writing my sixth nonfiction book.   God, I’ve missed fiction! Now that I’ve entered that phase of waiting for publishers to respond, I’ve turned my limited writing time back to fiction.   I submitted a couple of stories this week and am waiting to hear about those as well.   When you’re a writer, waiting is a way of life. Opening my software where I store my fiction stories, I was amazed by how many I found.   Some of them are bad—so bad that they’ll never (rightfully) be published.   Some are surprisingly good and have been sitting around while I finished up my nonfic. The vast majority, however, are unfinished.   Some years back I realized that when I’m writing in the heat of inspiration but don’t have time to finish a story that I need to write down where I...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...