Skip to main content

Finding Fantasy

Transformation.  It’s an idea older than the mythological Greeks.  It seems that people everywhere have wondered what it would be like to be something else.  It’s also a staple of fantasy literature.

I recently read The Lizard Princess by Tod Davies.  It is a heavily symbolic work, and one that makes the reader think.  Nothing can be assumed in this world.  Even death is not what it seems to be.

Fantasy novels rely on a willing suspension of belief.  It is difficult to read such stories with a critical eye and enjoy them.  Ironically, I found George R. R. Martin’s Game of Thrones difficult to get into.  The writing is what I call “power writing”—full of bravado and flash.  A fantasy, it seems to me, should have a certain gentleness to the narrative.

I’ve occasionally presented Boeotian Rhapsody, my Medusa novel, to publishers as a fantasy.  It really isn’t.  Magical realism, perhaps.  Fabulism maybe.  Weird fiction writ long.  It is fantasy in that it could never happen, it is a world that doesn’t exist.  I’m not sure if that’s fantasy or not.

The Lizard Princess surely is.  A princess transformed (at least part-way) into a lizard is a fantasy theme.  The adventures she experiences are what you find in fantasy novels.  You know what you’re reading in a book like this.

I sometimes suffer from writing in no genre.  Purists wouldn’t call it literary fiction, that catch-all that doesn’t really catch all.  I think of my stories as gentle horror, or weird tales.  Reality is all around me, so I don’t need to write fiction that’s too realistic.  If you can’t label it, however, publishers will shun it.



There is a wisdom in writing what you want to write, and not worrying about the consequences.  Some of my stories are never intended for public viewing.  Those that are, however, are bits of my consciousness formalized in words.  I hope that someone, some day, may be interested in seeing what I thought.


Famous authors are considered national treasures.  We want their opinions on subjects they know nothing about.  The vast majority of us who write, however, remain obscure.  Some of us can’t even put a label on what we write.

Comments

Popular posts from this blog

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...

Maybe Okay

  A couple pieces of encouraging news, perhaps, dear struggling writers.   I had a couple short stories accepted for publication in recent weeks.   As a fellow writer recently said, “You've got to keep trying.  Somebody will like what you wrote.” That’s a bit of sunshine.   And it’s likely true.   But the stories:   “The Crossing,” about two men in a boat trying to cross the Atlantic, was accepted by JayHenge Publishing.   JayHenge is a small, but paying publisher.   I was flattered when they wanted it for their Masque & Maelström: The Reluctant Exhumation of Edgar Allan Poe anthology.   Being associated with Poe in any way feels good. The second story, “St. Spiders’ Day,” had been brewing in my mind for years—yes, this is a long game!   A friend pointed me to The Creepy podcast.   Since the story hadn’t been written, I followed their guidelines of what they wanted.   It worked. I recently heard a successful wri...