Skip to main content

Banned

This week past was Banned Book Week.  It is kind of a holiday for me as a writer.  For the past several years I have read a banned or challenged book on or about this time.  Of course, much of what I normally read is banned stuff.

This practice began when my writing partner Elizabeth was still in school.  As she was assigned classics that I'd never read, I tried to keep up, reading them as though I were assigned the books.

Catcher in the Rye, J. D. Salinger's masterpiece, was one such book.  Although it has sat on my shelf for years, I finally got around to reading Ray Bradbury's Fahrenheit 451.  Kate Chopin's The Awakening,  John Gardner’s Grendel, Vladimir Nabokov’s Lolita,  and many others have brought new insights to my inner eyes.

Although I abhor the idea of books being banned, sometimes it performs a very great service.  Banned books garner a great deal of attention and sometimes become bestsellers because of it.  Still, wouldn’t it be better yet if people simply wanted to read?  Read books because they had new, and challenging ideas?



Today the largest banners of books are publishers.  They choose what is “good” on the basis of what will sell.  Authors with nowhere else to turn go to Amazon and other self-publishers, crowding the pages of the internet with books, some of which are very poor.

I understand the need of publishers to earn a profit.  Money makes publishing possible.  If more people read, however, they wouldn’t have to look constantly for the next big hit.  (Not that assured success would stop them in any case.)


Ours is a culture that denigrates reading.  It begins as soon as school does.  Some of my earliest memories are of classmates complaining that they had to read this or that.  Reading isn’t easy, but it has tangible (and intangible) rewards.  Perhaps the greatest compliment is being banned. 

Comments

Popular posts from this blog

Pacing

A criticism that I’ve occasionally received concerns pacing.  The short story, which today means up to about 7000 words, is a limited amount of space to establish mood.  My writing partner Elizabeth was reading a Poe short story recently and commented on how long it seemed. We’ve been accustomed, by the internet, to shorten things.  Flash fiction is in.  Say it in 1000 words or less.  What’s the correct pacing for a 300-word story? I’ve been editing a number of my complete, but unpublished, stories lately.  I’m trying to bring the word counts down.  I don’t want to be thought of as a plodding writer.  At the same time, I’m no action writer.  My stories are thoughtful. Some time ago I started reading Anne Rice’s Interview with the Vampire .  Dark, moody, and sensuous, this is a slow-paced novel.  Focusing on subtleties and emotions, she paints a writerly picture of the inner life of the undead. If I were an editor to...

Creativity

  Maybe you’ve noticed this too.   When you step away from fiction writing for a while, your creativity becomes flaccid.   I’ve had to step away from this blog for a while because I was writing my sixth nonfiction book.   God, I’ve missed fiction! Now that I’ve entered that phase of waiting for publishers to respond, I’ve turned my limited writing time back to fiction.   I submitted a couple of stories this week and am waiting to hear about those as well.   When you’re a writer, waiting is a way of life. Opening my software where I store my fiction stories, I was amazed by how many I found.   Some of them are bad—so bad that they’ll never (rightfully) be published.   Some are surprisingly good and have been sitting around while I finished up my nonfic. The vast majority, however, are unfinished.   Some years back I realized that when I’m writing in the heat of inspiration but don’t have time to finish a story that I need to write down where I...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...