Skip to main content

Used Book Heaven

I love used bookstores.  While visiting one recently, I thought of how used books represent immortality to a writer.

As usual, I came out with mostly an armload of non-fiction.  I write mainly fiction, but non-fiction gives me the material with which to work.  Many of my ideas come from the world of what really happened, often to someone else.

Nevertheless, I lingered long over the fiction section.  Maybe it’s because it’s harder to find specific books of fiction.  I keep a list and I take it with me to stores—otherwise I get over-excited and can’t find anything.  I did spy an early set of Poe, but I left him for a more worthy owner.

The fact that many people came in on a pleasant Saturday kindled my hopes.  There’s so much you can do with a summer Saturday.  Spending it looking at old books is one that few select, but here I was among other inveterate readers.  Readers unite!

Used books mean that an author’s words continue after the original owner tires of, or expires of the thoughts of others.  You can tell so much about someone by looking at the books they have.  I picked up a copy of Shirley Jackson and was sorely tempted.  It was foxed, however, and not that old.

In the old and interesting section, there were two book-safes, made from old books.  A friend couldn’t figure out, at first, why two books wouldn’t come apart.  Opening one, she found the hidden compartment inside.  That, in itself, was the grounds for a story.

I wandered to the occult section, as I always do.  Not surprisingly, there were no old books there.  Used, yet, but those of any antiquity are, I believe, jealously guarded.  Age gives books verisimilitude.  “Time honored” is a phrase meant to capture precisely that dynamic.


Yet to have a book of fiction published, I stood there relishing the hope that someday, long after I’m gone, my books might find their way into used bookstores, and I will, therefore, live forever.


Comments

Popular posts from this blog

Working Through It

  The thing about being a working writer is you don’t have time.   Between working nine-to-five and trying to eat and sleep, and write, of course, the week is shot.   Weekends are spent doing the errands that you can’t do during the week. I should probably have known better than to join a local writers’ group.   Their meetings, although only once a month, are all-day affairs on a Saturday.   I generally don’t have all day Saturday to spare.   I work all week and I need groceries and the occasional Target run.   And I haven’t yet learned to go a week without eating. This is actually the third writers’ group I’ve joined.   One was not too far from home, but not terribly helpful.   They met on Saturdays, but in the morning only.   Nobody seemed interested in what I was writing, so I stopped going. The second one was about an hour away.   They also met on Saturdays.   Their big thing was having lunch together after the meeting. ...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...