Skip to main content

Angel Hunter

Angel Hunter is the darkest story I’ve ever written.  A combination of things—feeling lost in New York City, having stories rejected multiple times, seeing what seemed to be good turn evil—forced me to explore my darkest imagination.

The story went through several permutations on its way to birth.  Initially I tried to take the edge off with some humor.  It was a little gross and a little funny.  The more I reworked it and rewrote it, the more sober it became.  I realized I was the angel hunter.

Deep Water Literary Journal accepted it for publication.  Many other journals disliked it for a variety of reasons.  Assuming the fault was my own, I rewrote and rewrote until someone took it seriously.

We assume that angels are good.  It is almost one of those “by definition” things.  Just accept it.  I wonder what happens when we question everything.  Sometimes, it seems to me, sad can be happy.  Sometimes rage can feel righteous.  Sometimes angels stand for something other than they seem.

The narrator, like most people, never questions that angels are good.  Pure, ethereal, beings of light.  Sent by God to help us through our dark times.  Or do they bring us our dark times?

The Radiator Building, standing over Bryant Park, partially inspired this story.  I’ve never been inside, but for two years walked past it on my way to work.  It seemed to hold secrets.  I’ve always found Manhattan to be very gothic.

There can be more to reality than we can see or accept.  Writers, it seems to me, are the Magellans of the human soul.  We must seek the depths which are sometimes found at the highest points around.


The publisher avoids one of the largest libraries in the world, racing past on his way to escape what he knows he must face.  Angel Hunter is a dark tale, exploring what it means to be human.


Comments

Popular posts from this blog

Pacing

A criticism that I’ve occasionally received concerns pacing.  The short story, which today means up to about 7000 words, is a limited amount of space to establish mood.  My writing partner Elizabeth was reading a Poe short story recently and commented on how long it seemed. We’ve been accustomed, by the internet, to shorten things.  Flash fiction is in.  Say it in 1000 words or less.  What’s the correct pacing for a 300-word story? I’ve been editing a number of my complete, but unpublished, stories lately.  I’m trying to bring the word counts down.  I don’t want to be thought of as a plodding writer.  At the same time, I’m no action writer.  My stories are thoughtful. Some time ago I started reading Anne Rice’s Interview with the Vampire .  Dark, moody, and sensuous, this is a slow-paced novel.  Focusing on subtleties and emotions, she paints a writerly picture of the inner life of the undead. If I were an editor to...

Creativity

  Maybe you’ve noticed this too.   When you step away from fiction writing for a while, your creativity becomes flaccid.   I’ve had to step away from this blog for a while because I was writing my sixth nonfiction book.   God, I’ve missed fiction! Now that I’ve entered that phase of waiting for publishers to respond, I’ve turned my limited writing time back to fiction.   I submitted a couple of stories this week and am waiting to hear about those as well.   When you’re a writer, waiting is a way of life. Opening my software where I store my fiction stories, I was amazed by how many I found.   Some of them are bad—so bad that they’ll never (rightfully) be published.   Some are surprisingly good and have been sitting around while I finished up my nonfic. The vast majority, however, are unfinished.   Some years back I realized that when I’m writing in the heat of inspiration but don’t have time to finish a story that I need to write down where I...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...