Skip to main content

Ethical Imperative of Editing

I know many editors.  They are always hungry for good material, but in the course of their duties they have to turn quite a few writers away.  Some of the writers, I’m assured, are just this side of insane.  Some have probably never even considered suicide.

Editors are sometimes a writer’s worst enemy.  I know deep in my confused web of consciousness that I am a writer.  I have written fiction with a pathological insistence since before my middle school days.  Six novels bear my name.  Not one has merited publication.

I wonder about the ethics of editors.  Who made them the gatekeepers of what is worthy of living or dying?  Nine years of my life were spent in higher education, terminating in a Ph.D. that bears no street cred.  How am I to convince an editor I’m no slouch?  Disposable.



Anyone with server space and a few extra hours a week can be an editor.  Yes, for just a little storage space, you too can turn others down.  Feel like the big guy.  I’ll just crawl back into my corner.

Some great ideas just won’t let me go.  I awake at 3 a.m. unable to sleep for the ideas vying for the limited space in my diminutive brain.  Instead of fighting, I struggle into the chill living room, warmed by the laptop I wear, and tap out my tales.

Most of us write, I suspect, because we can’t find stories like our own elsewhere.  I try to figure out where to submit, but see that standard categories just don’t apply to much of my work.  Nobody wants to publish what they can’t classify.  The editors I know all agree on that point.

How do you become an editor?  What courses in dashing dreams do you have to take?  With each letter I’m made to feel that there are many, many writers I’ve never even heard of who are much, much better than me.  I have nothing to say.  Nothing to say.


Yet I can’t stop writing.  If anyone knows the solution, please tell me.  Don’t worry about the time, I’ll probably already be awake.

Comments

Popular posts from this blog

Pacing

A criticism that I’ve occasionally received concerns pacing.  The short story, which today means up to about 7000 words, is a limited amount of space to establish mood.  My writing partner Elizabeth was reading a Poe short story recently and commented on how long it seemed. We’ve been accustomed, by the internet, to shorten things.  Flash fiction is in.  Say it in 1000 words or less.  What’s the correct pacing for a 300-word story? I’ve been editing a number of my complete, but unpublished, stories lately.  I’m trying to bring the word counts down.  I don’t want to be thought of as a plodding writer.  At the same time, I’m no action writer.  My stories are thoughtful. Some time ago I started reading Anne Rice’s Interview with the Vampire .  Dark, moody, and sensuous, this is a slow-paced novel.  Focusing on subtleties and emotions, she paints a writerly picture of the inner life of the undead. If I were an editor to...

Creativity

  Maybe you’ve noticed this too.   When you step away from fiction writing for a while, your creativity becomes flaccid.   I’ve had to step away from this blog for a while because I was writing my sixth nonfiction book.   God, I’ve missed fiction! Now that I’ve entered that phase of waiting for publishers to respond, I’ve turned my limited writing time back to fiction.   I submitted a couple of stories this week and am waiting to hear about those as well.   When you’re a writer, waiting is a way of life. Opening my software where I store my fiction stories, I was amazed by how many I found.   Some of them are bad—so bad that they’ll never (rightfully) be published.   Some are surprisingly good and have been sitting around while I finished up my nonfic. The vast majority, however, are unfinished.   Some years back I realized that when I’m writing in the heat of inspiration but don’t have time to finish a story that I need to write down where I...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...