Makes the Wold Go Round

It’s all about the money. As any real writer knows, we write because we’re compelled to. I suspect it’s only after someone tastes success that s/he gets cynical enough to write for money. That doesn’t stop agents and publishers from trying, though.

My Medusa novel was under contract with a publisher. This was about five years ago. After dallying around for a couple of years, the publisher cancelled the contract because the editor who’d signed it up had left the press. That’s hardly a legitimate reason; in fact, it defeats the purpose of a book contract all together. I’ve not been able to find another publisher since.

Nearly every rejection letter says something along the lines of “It’s well written, but it’s not for us.” They mean they don’t see enough dollar signs. I’m not naive—I get it. I would, however, appreciate just a little compensation for the hundreds and hundreds of hours I put into my writing. Self-publishing is too much work on top of work. There’s gotta be a small press out there that likes quirky, well-written, unpublishable novels.

I’m not greedy. I do, however, have bills to pay. Long ago I figured out that the only salable talent I possess is my writing. Seems I might’ve been wrong about that. At least according to the publishers that only want material that’ll bring in big bucks.

I have friends who work in publishing. They tell me most houses don’t make their costs back on many books, but a few punch through and make enough to cover themselves and several siblings. The benefit is that it gives authors a chance to be heard. I’m old enough to realize I’ll never get wealthy from my writing, but it would be nice to get a token payment now and again.

The small publishers don’t like to take chances, although a book on the bestseller list these days is called Originals: How Non-Conformists Move the World. Just don’t try to get published if you’re one of them. Nobody’s interested unless they think you can make them a mint.

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Dusty

My, this thing is dusty. My fans—hi, Mom!—perhaps believe me to have perished in the pandemic. No, it was nonfiction’s fault. Since the pandemic began I’ve had two nonfiction books published and have written a third. With a nine-to-five job something’s got to give. Unfortunately it’s been fiction. Well, the groundhog didn’t see his shadow yesterday, so it must be safe to come out. I shuffled away the rejection notes and began submitting again. I’ve got a backlog of weird stories and maybe some new publishers have emerged? The thing is, don’t you just hate it when you’re in the mood to submit and some lit journal has its window for submissions firmly shut? My last story, “ The Hput, ” was published about three years ago. Oh, I’ve submitted since then, but with no traction. Well, it is winter. I’ve got a lot of stories lined up. I’ve been sending them out again, dreaming of making a dime at what I love doing best. When you’ve been writing for half a century, you l

Too Much Writing?

Has this ever happened to you? Have you written a story that you’ve completely forgot? Not only completely forgotten, but made unfindable? I play games with my stories and sometimes the joke’s on me. Okay, I suffer from graphomania. I write constantly. I do try to keep organized—I use a spreadsheet that has all my submissions on it. It has rejection/acceptance dates (mostly rejection). Lots of information. I decided to list on it every story, whether finished or in process. There are far too many (mostly in process). When I finish a story I often submit it. If I get burned, I’m shy about resubmitting. I often rewrite at this stage. Then, when I feel brave enough, I try again. The spreadsheet is color-coded. There, in the color that indicates finished and ready to submit is a story cryptically titled “The Password.” I don’t remember this story. I can’t recall what it was about or why I thought it was ready to publish. Looking through my electronic files,

Gothica

The other day I asked a friend to define “gothic.” Heavy, dark, supernatural—these were a few of the words suggested. When autumn comes my thoughts turn gothic, and I’m always looking for good gothic things to read. I have blogged in the past about how reading literature that isn’t great is good. I’m serious about that. You can learn a lot by reading poor writing. Some gothic literature is more the former than the latter. Like Dark Shadows novels. Dark Shadows was running on daytime television when I was a child. As a teen I began to read the novelizations, by Marilyn Ross, whenever I could find them. Belles lettres they’re not. Gothic, most decidedly so. That’s why I keep coming back to them. They aren’t scary. In fact, they’re formulaic and predictable. But so, so gothic. Spooky mansions, the Maine woods, forlorn vampire, faded wealth. Even, yes, dark shadows. The stories create a mood I find difficult to locate elsewhere. Inspired by the most r

K. Marvin Bruce

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