Skip to main content

Fact of Fiction

Fiction or non-fiction?  Maybe it’s both/and rather than either/or.  The line between the two is thin.

Lately I’ve been working on a large, creative non-fiction project.  I’ve still got a novel out for consideration (as it has been almost continuously for half a decade now), but there’s a true-to-life story that’s got its talons in me.

I’m not a post-modern writer, but I am a post-modern person.  I believe, in other words, that true objectivity is beyond human beings.  If that’s the case, facts are invented and not discovered.  Histories are interpretations—not what actually happened.  Fact sounds like it’s become fiction.

My post-modernism breaks down when it comes to writing.  Fiction is narrative.  I’ve tried to read post-modern novels and I always end up frustrated and confused.  I want a story to follow.  Preferably a moody one.



Now, the non-fiction post-modernist would say that both fiction and non may indeed be called “true.”  Truth is a matter of interpretation since anything can be looked at from differing angles.  Even an artist’s canvas has a back.

In my creative non-fiction project, I’m staying as close to the facts that I’ve made as I can.  The events I describe took place, but are they true?  That’s for the reader to decide.

Of course, I’m presuming there will be readers.  I haven’t found, or even considered a publisher yet.  Since my fiction has been a hard sell over the years I suspect the same for my non-fiction.  As a writer I recently read wrote, reading is hard work and people  don’t like to do it.

I suppose it’s best to go into this with one’s eyes enlightened.  Those of us who write (indeed, those of us who read) are not a large group, compared to the wider population.  We share our words and ideas with each other.


There are still readers out there.  That’s a fact I’m making, and it’s no fiction.

Comments

Popular posts from this blog

Working Through It

  The thing about being a working writer is you don’t have time.   Between working nine-to-five and trying to eat and sleep, and write, of course, the week is shot.   Weekends are spent doing the errands that you can’t do during the week. I should probably have known better than to join a local writers’ group.   Their meetings, although only once a month, are all-day affairs on a Saturday.   I generally don’t have all day Saturday to spare.   I work all week and I need groceries and the occasional Target run.   And I haven’t yet learned to go a week without eating. This is actually the third writers’ group I’ve joined.   One was not too far from home, but not terribly helpful.   They met on Saturdays, but in the morning only.   Nobody seemed interested in what I was writing, so I stopped going. The second one was about an hour away.   They also met on Saturdays.   Their big thing was having lunch together after the meeting. ...

Patterns

  There’s a pattern I’m noticing.   For fiction publishers.   Even if you aim low you’ll find it a struggle.   Part of the reason is the pattern. Lots of websites list publishers.   The smaller, hungrier presses either eventually close or get to a place where they require an agent to get in.   That’s the kiss of death. Although my stories have won prizes, and been nominated for prizes, I can’t get an agent interested.   I’ve queried well over a hundred, so the agent route is one of diminishing returns.   This too is a pattern. Back to the smaller presses.   I check many lists.   What I write, you see, is highly idiosyncratic.   It’s literary but it’s weird.   Publishers don’t know what to do with it.   If a smaller press published stuff like this, I’d find it. The pattern includes writers who never get discovered.   Ironically, a number of editors of fiction literary magazines (mostly online) tell me they enjoy my wor...

Creative Righting

  Rejection of my writing is a rejection of my imaginative world.   That’s why I was cheered by the acceptance of one of my stories this week.   That makes number 31. I’ve been working on a lot of fiction lately, even as nonfiction book number 6 is going to press.   The ideas are still there, and bizarre as ever, but publishing venues just aren’t welcoming. The other day I had lunch with a professor whose wife is also a professor.   She just had her first novel published, and so he pointed me to her indie publisher.   I went to their website to learn that they’re closed to submissions.   I have to admit that my latest accepted story, “Creative Writing Club,” was probably given the green light because I know the editor.   That seems like a pretty dicey way to get any notice, doesn’t it?   You have to know the right people even in the low circulation world. My fiction is difficult to classify.   It’s got speculative elements to it.   ...